
KAWS: Beyond Words, The Evolution of an Icon
, 6 min reading time

, 6 min reading time
In the last two and a half decades, the art landscape has undergone a monumental shift. The notoriety and fame that a new generation of artists has achieved, both in the realm of fine art and popular culture, seems unprecedented. Looking back, figures such as Keith Haring, Andy Warhol, and Jean-Michel Basquiat outlined a path for what was to come in the 1990s and into the 21st century. But, among them, KAWS is perhaps the artist who has been able to move in his own universe, creating an unparalleled trajectory that defies traditional categorizations.
Brian Donnelly, better known as KAWS, has redefined contemporary art in a way that few others have. From his beginnings in graffiti, through the creation of collectible toys and his foray into the fashion world, to monumental public installations in cities such as Los Angeles, Shanghai, and Seoul, KAWS has managed to blur the lines between high art and mass culture.
A crucial part of KAWS' success is tied to his relationship with Japan. Donnelly recalls how his early trips to Japan, before the advent of social media, connected him to a culture that was revolutionizing streetwear and design. Japan not only offered KAWS the opportunity to collaborate with iconic brands like BAPE, but also allowed him to experience a genuine and curious form of creativity.
KAWS notes that the gallery scene in Tokyo in the 1990s was not as active as in New York, but the focus on fashion, toys, and graphic design was unparalleled. Japan represented a place where authenticity and artistic integrity were paramount.
Streetwear and street art were at their peak, and through connections with New York artists such as STASH and FUTURA, KAWS immersed himself in this vibrant world, collaborating with figures such as Nigo, founder of BAPE. It was in this environment that KAWS began to forge his artistic identity, creating works that transcended traditional boundaries of graffiti and gallery art.
KAWS admits that his foray into art began as a way to navigate a world in which he found no other inspiration. He grew up in Jersey City, New Jersey, close to New York, which provided him with a unique perspective on urban art. Graffiti allowed him to express himself and offered a global community sharing a common passion.
One of the most interesting features of his career is how KAWS avoided being pigeonholed into specific categories. Though labeled a graffiti artist, toy designer, and pop art creator, he rejects these labels. ‘I don't accept those things,’ he says firmly. KAWS believes those pigeonholing him don’t truly see his work but seek to lump him into broader, superficial categories. This allowed him to evolve constantly without compromising his vision or freedom.
After graduating, KAWS began working in animation for studios such as Disney. Though uninterested in animation itself, this job provided income that allowed pursuit of his passion: painting. His time was pivotal, marking the first serious art education he had, previously being mostly self-taught, influenced by graffiti.
During the 1990s, as he worked in animation, KAWS painted streets, notably intervening on public telephone ads in New York. This project superimposed art onto commercial ads, critiquing urban commercial messages' pervasiveness, hinting at his later fusion of art, commerce, and pop culture.
KAWS expanded through collaborations with various industries. From early vinyl toys with Medicom Toy in Japan to recent partnerships with Uniqlo and Dior, he democratized art, breaking barriers between fine and commercial art.
His monumental sculptures in Doha, Hong Kong, and Seoul highlight his large-scale work innovatively interacting with public spaces. Often featuring anthropomorphic figures with characteristic ‘X’ eyes, these have become universal cultural symbols.
In an era dominated by social media, KAWS has been able to leverage these platforms to connect with his audience in a direct and authentic way. Through Instagram, he shares his creative process, his current projects and, perhaps most importantly, the works of other artists that inspire him. For KAWS, social media is not only a promotional tool, but also a way to demystify art and show that anyone can participate in it. ‘It's an open playing field,’ he says. ‘There's nothing to stop you from learning.
This openness to the art world is also reflected in his growing personal art collection, which includes works by contemporary artists such as George Condo and Urs Fischer. By sharing his collection on social media, KAWS seeks to inspire others to explore the art world without the restrictions imposed by elitism or academicism.
KAWS has shown that it is possible to succeed in the art world without following traditional rules. His ability to move between different media, from painting to sculpture, toy design to commercial collaborations, has made him one of the most versatile and relevant artists of our time. Furthermore, his focus on maintaining a constant presence in the art world, both in renowned galleries and in more accessible projects, has ensured that his work remains relevant to a wide variety of audiences.
As KAWS continues his career, he continues to explore new forms of expression, without losing sight of his roots in graffiti and urban culture. With each project, whether it is a monumental sculpture or a collaboration with a global brand, KAWS reminds us that art can exist in multiple forms and contexts, and that true creativity knows no boundaries.
Discover KAWS’s creative essence in this exclusive interview at the Crystal Bridges Museum: